★★★★☆ The Guardian
In 2022/23, The Hepworth Wakefield presented the first major survey of British photographer Hannah Starkey, tracing the development of her work across two decades.
Throughout her career, Starkey’s meticulously choreographed photographs have determinedly engaged with how women are represented in contemporary culture, an issue which is now centre stage.
Starkey reveals women in moments of private reflection, alienation or social interaction that might otherwise go unseen: a woman fleetingly fascinated by another woman’s reflection, or the attentive gaze of a mother carrying her child. Meanwhile, the large scale of her images suggests the recording of a monumental event. She is also witness to the powerful presence of women in our cities, from those she encountered growing up in Belfast to women and girls at recent street protests in London. On display were photographs from Starkey’s graduation show in 1997 that immediately brought her widespread acclaim, through to a newly commissioned body of work created with young women in Wakefield in 2022.
As part of this project, Starkey worked with a group of early career female and non-binary photographers born or based in Yorkshire to consider the issues facing emerging practitioners and support the development of their work. This resulted in an exhibition at The Art House, entitled Reframing, Reclaiming, which ran from 21 October 2022 – 8 January 2023.
Out of their conversations, concepts for images for the Wakefield commission were realised. Starkey worked closely with female students from Wakefield’s CAPA College – a flagship institution providing opportunities for young people in the region – to produce four major new works taken in locations across in Wakefield.
‘Just as the so-called Young British Artists (Damien Hirst et al) were gaining notoriety, Starkey burst on to the scene with her photography graduation show in 1997, winning awards and acclaim. For decades, her intricately staged vignettes have focused on the place of women and girls in society, both physically and psychologically…’ Financial Times Weekend Magazine
‘For more than 20 years, Belfast-born Hannah Starkey’s artfully constructed portraits have captured the gestures of everyday female experience.’ The Guardian
‘Driven by familiar narratives, Hannah stages everyday moments with precision and skill; taking the quotidian, re-enacting and editing it according to her own vision.’ It’s Nice That
Films
Hannah Starkey: In Real Life
Reframing, Reclaiming at The Art House Wakefield
In the press
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Winner of the Freelands Award 2019
Hannah Starkey’s exhibition was made possible by the Freelands Foundation through the 2019 Freelands Award. The Hepworth Wakefield was the fourth recipient of the annual £100,000 Freelands Award, established in 2016 to enable a regional arts organisation to present a large-scale exhibition by a mid-career female artist, including the creation of a major new body of work.
Exhibition supported by:
